“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.”—Gary Provost (via tuongexists)
1. Spit it into her voicemail, a little slurred and sounding like the shot whiskey you downed for courage. Feel as ashamed as you do walking into work in last night’s clothes. Wake up cringing for days, waiting for her to mention it.
2. Sigh it into her mouth, wedged in between teeth and tongues. Don’t even let your lips move when you say it, ever so lightly, into the air. Maybe it was just an exhalation of ecstasy.
3. Buy her flowers. Buy her chocolate. Buy her a teddy bear, because that’s what every romantic comedy has taught you. Take her out to a nice restaurant where neither of you feel comfortable and spend the whole night clearing your throat and tugging at your tie. Feel like your actions are more suited to a proposal than the simple confession of something you’ve always known.
4. Whisper it into her hair in the middle of the night, after you’ve counted the space between her breaths and are certain she’s asleep. Shut your eyes quickly when she shifts toward you in askance. Maybe you were just sleep whispering.
5. Blurt it out in the middle of an impromptu dance party in the kitchen, as clumsy as your two left feet. When time seems to freeze, hastily tack on “in that shirt” or “when you make your award-winning meatballs” or, if you are feeling particularly brave, “when we do this.” Resume dancing and pretend you don’t feel her eyes on you the rest of the night.
6. Write her a letter in which the amount of circumnavigating and angst could rival Mr. Darcy’s. Debate where to leave it all day – on her pillow? In her coat pocket? Throw it away in frustration, conveniently leaving it face up in the trashcan, her name scrawled on the front in your sloppy handwriting. Let her wonder if you meant it.
7. Wait until something terrible has happened and you can’t not tell her anymore. Wait until she almost gets hit by a car crossing Wabash against the light and after you are done cursing at the shit-for-brains cab drivers in this city, realize you are actually just terrified of living without her. Tell her with your hands shaking.
8. Say it deliberately, your tongue a springboard for every syllable. Over coffee, brushing your teeth side-by-side, as you turn off the light to go to sleep – it doesn’t matter where. Do not adorn it with extra words like “I think” or “I might.” Do not sigh heavily as if admitting it were a burden instead of the most joyous thing you’ve ever done. Look her in the eyes and pray, heart thumping wildly, that she will turn to you and say, “I love you too.”
“You are immortal; you exist for billions of years in different manifestations, because you are Life, and Life cannot die. You are in the trees, the butterflies, the fish, the air, the moon, the sun. Wherever you go, you are there, waiting for yourself.”—Don Miguel Ruiz, The Mastery of Love (via finedineonmyvegangenitalia)